If you’re not interested in 20 minute long songs, hard drving guitar and rhythm sections, sci-fi inspired lyrics, long instrumentals, a high pitched voice singing the lyrics, then 2112 is not for you. This is Rush’s fourth album, their breakthrough which legitimately set them to become one of the most lyrically profound and musically astute power trios in the entire world. 2112 (pronounced “twenty one, twelve”) is the main song on the album. It tells of a society ruled by the communist priests of the Temples of Syrinx who believe in crushing the human spirit so every one lives according to a lifeless conformity. The hero dares to defy them and leads the revolution through music. How does it end? Listen to the album. Also present are five lesslengthy songs like A Passage to Bangkok, which sounds like a shopping list for drugs, Something for Nothing, a song that defines reality itself, the acoustic show-stopper Tears, the Twilight Zone and Lessons. The lyrics of most songs are done by drummer Neil Peart, who sounds like a college professor. Alex Lifeson contributes hard-rocking guitar lines which soar and frighten. And bassist, vocalist, keyboardist Geddy Lee sounds like a Medieval minstrel. At times you almost start to think that he is the hero of the story. A classic album and a must have for any serious lover of heavy metal and lyrical profundity.