Wolfmother is one of the few bands around today trying to keep rock alive. If you’ve longed for good old rock done in top form, give this cd a try. Lep Zeppelin is the obvious comparison here and if you are a fan of Zep’s music, you are sure to enjoy this. Pop it in the cd player, turn the volume up high and enjoy the mastery of Wolfmother.
DELUXE EDITION – Includes 4 Bonus Tracks WOLFMOTHER (Andrew Stockdale on lead vocals and guitar; Ian Peres on bass and keyboards; Aidan Nemeth on rhythm guitar; David Atkins on drums) After spending the past 11 ½ weeks in Byron Bay, Australia & Los Angeles, CA writing and recording their 2nd album; Wolfmother return with ”Back Round”, the first single from the forthcoming album COSMIC EGG. ”Back Round” is already a fan favorite and one of the lead tracks to be featured on the next version of Guitar Hero. Wolfmother took the world by storm in 2005 with the release of their self-titled album spawning the Grammy win for Best Hard Rock Performance for ”Woman”. The success of the album kept the band on the road touring for over two years and saw them perform in front of millions of people. Now, Wolfmother comes ”Back Round” with Cosmic Egg on the horizon and proves true to form delivering their aggressive and classic sound laced with crunching guitars, muscular rhythms and soaring vocals. Cosmic Egg is bound to take fans into another sonic dimension.
Forum Topics See All →
There are no active forum topics for this Metal Album
Metal Album Reviews[RSS]
WOW, not sure how this record was gonna be. Loved the self titled for what it was, lumped in with the rest of the retro rockers when it came out, kinda same old same old but there were some good songs, but DAMN this record kicks A$$! so many great tracks. real maturity and POWER to these songs sorley lacking in today’s modern rock. If you love 70’s rock with a bit of a modern edge….you will love this record. Get the deluxe version, the extra tracks are worth it. you won’t be sorry! finally a real ROCK record that has the balance of hard rockers and mellow yet powerful ballads that swirl and uplift. Give this a whirl and expand your mind..Rhianna won’t mind kiddies.
I made sure I listened to this album twice through before I gave my review. I really do like this album. The songs don’t jump out at you the way the first album did, but if you are a fan of Wolfmother’s first album I think you will like this one as well. Andrew Stockdale is an extremly talented song writer and musician and his vocals sound so much like the late Ron Goddard of the early 70’s glam band “Whitewitch” it’s uncanny. I think the more I hear this album the more I will like it. Great songs, great musicians…it’s nice to hear new heavy rock and roll.
The heaviosity flows freely on this new Wolfmother album. (Or is it heavitude?) But I like the fact that this is hard rock as opposed to Heavy Metal. In other words, it’s filled with loud and heavy electric guitars and high-register lead vocals, but the songs don’t bludgeon listeners into submission. For one thing, there’s a variety in tempos on the Egg — it’s not all freight train, sometimes it’s a limo. I hear some of what one of the other reviewers described as “more Sabbath than Zep” on the album, in songs like “10000 Feet,” but I still hear some Zeppelin in several of the songs too. My take on these homages to past “rock gods” is that Wolfmother maintains its originality while incorporating elements that worked so well for great genre bands in previous decades. It’s something I liked about Wolfmother before, and I’m still enjoying it with this new incarnation.
Regarding the Deluxe Edition, it’s interesting to me that the one-CD version has 12 songs on the disc, but when they added the 4 extra tracks for the Deluxe set, they decided to split up the songs 8 and 8 (eight tracks on each CD). And the extra tracks are not just stuck on at the end, they are integrated into the song sequence with the original 12 cuts. So maybe the band is just presenting two different versions of the album? “Shorter” and “Longer?” I’m interested to learn more about that situation. Anyway, I’m glad I went for the Deluxe – the four extra songs sound just as good to me as the other twelve!
I waited a while before writing this review, mainly because I believe you can’t really judge an album until you listen to it multiple times and let it sink in.
First and foremost, Wolfmother is constantly berated as a band that just rips off classic rock. Supporters say no way, haters say yes it’s obvious, and I really could care less. Nearly all music is just ripping off the music that came before it. Modern “rock” is derivative of classic rock, heavy metal in all its forms owes its debt to early Black Sabbath, rap is the successor of early hip-hop (also using samples of classic rock), pop and dance is highly influenced by Motown and new wave, and country is straight from folk rock. My favorite music is classic rock, and even I know that wouldn’t exist without the blues of the 1930’s. What I’m getting at is the line between “influenced by” and “ripping off” doesn’t really exist because you can argue either way and you’d be right. Personally I think that as long as the music grabs you in some way, it’s doing its job and that’s all that matters.
That’s enough of that. Onto the review!
Wolfmother’s self-titled debut was excellent, with some great riffs and epic wailing vocals. It was like an album straight out of the late 60’s/early 70’s, reminiscent of Led Zeppelin, Black Sabbath, Deep Purple and Blue Cheer. While this drew a lot of criticism, I loved nearly every song on the album except for “Apple Tree”, which struck me as entirely uncharacteristic of the band’s sound. I must also note that the album art is excellent, reminding me of a Pink Floyd album cover infused with heavy metal. So after a smashing start, could Wolfmother continue to amaze me with their second album?
I respond with a resounding yes! Cosmic Egg is just as good, if not better than their debut. Interestingly (and thankfully), it keeps a similar sound and maintains the same level of quality despite the line-up change. Great riffs continue to permeate the album, and Andrew Stockdale’s vocal work continues to shatter glass with its power. There are some nice mellow tracks that really elevate the album, as well as a few melancholy ones. I got the Deluxe Edition and, as expected, the album art is once again beautifully chosen. So let’s break the Deluxe Edition down, track by track:
1. “California Queen” – A great opener to the album, with a catchy, distorted riff and fast tempo.
2. “New Moon Rising” – Another awesome riff, with some great drumming and epic crescendo wails.
3. “White Feather” – This track is more sporadic and not as riff driven, with a nice mellow feel and some good guitar work. Interestingly, it reminds me of the similarly titled “White Unicorn” from their debut.
4. “Sundial” – One of my favorite tracks. An utterly excellent riff, nifty keyboard work and Bonham-esque drumming drive this track, resulting in one helluva song.
5. “In The Morning” – One of the slower tracks on the album, with smooth vocals and soothing guitar. This track has an epic feel, building a slow crescendo beautifully.
6. “10,000 Feet” – A very Black Sabbath sounding track, especially the riffs and drumming. The vocals harmonize perfectly with the guitar, creating an magnificent effect. I think this should’ve been one of their singles.
7. “Cosmic Egg” – Catchy, riff driven track that has some fantastic drumming.
8. “Far Away” – Another one of my favorite tracks. Slow and melodic with smooth vocals and some great acoustic guitar parts. I also love the guitar solo.
9. “Cosmonaut” – Droning vocals and guitar dominate this track, enhanced by an excellent build-up.
10. “Pilgrim” – This track reminds me of “Apple Tree” crossed with “Witchcraft”, from the first album. It features a particularly gnarly guitar riff.
11. “Eyes Open” – A very somber track, with great guitar work.
12. “Back Round” – Probably the most raw sounding track on the album, with excellent vocal work.
13. “In The Castle” – Another mellow track that builds into an sonic explosion of incredible proportions.
14. “Caroline” – Melancholy track with a very bluesy feel.
15. “Phoenix” – A more upbeat track with a great tempo and piercing vocals.
16. “Violence Of The Sun” – One of the best tracks on the album, and an extraordinary closing track. Everything about this track is top-notch, especially the vocal work. It reminds me of Zeppelin’s “When The Levee Breaks”.
To sum it up, if you liked their first album, I highly recommend this one. If you didn’t, I’d still give “Far Away”, “Caroline” and “Violence Of The Sun” a listen; you might like them. The Deluxe Edition has four extra tracks, and I think they’re worth it, however the best tracks from the album are all on the standard edition. So all in all, a great sophomore effort that’s worth checking out!