What I want to know is who listens to this kind of music, and when? Delirium Cordia definitively isn’t an album you put on for a party, or to rock out to in your car like Mike Patton’s other band Tomahawk. Really, it isn’t something to play at all in the presence of others, no matter how impolite the company.This album, just 1 track, 74 minutes long, is isolated, deranged, and an absolute masterpiece of complex sound and mood. Fantomas’ last album, The Director’s Cut, took the band into film score by doing short covers of famous pieces like “Rosemary’s Baby” and “The God Father,” but this one delves fully into an original full length composition that really might best be suitable for something directed by Cronenberg or Aronovsky. And that’s the best way to listen to it, eyes closed, alone, imagining your own movie to accompany this piece of music-and the acid-blasted landscapes of auditory imagery aroused belong in a genre busting horror film; or perhaps this is just the music that the pathologist hums in his head while performing an autopsy.Delirium Cordia reminds me of the paintings of Henry Darger, with its haunting, disturbed beauty, moments of innocence subverted, and violent storms constantly threatening to erupt. And they do erupt, but not with the level of nearly un-listenable cacophony found in other works by Mike Patton, such as Adult Themes for Voice. Delirium Cordia is the perfect mood-setter to listen to while writing fiction and poetry (if what you write leans towards the misanthropic, the violent, the introspective.) And it leaves me more convinced than ever that Mike Patton at some point will be approached by an intelligent director to score a daring and unconventional film (or videogame.) Finally, the art. Nothing else by Fantomas (or any other Patton project since the first Mr. Bungle album) has had such lush production values in the cover art. This is the best way to stop music piracy–by making the complete work a coherent piece of art, as these richly produced color photos and quotations mesh perfectly with the music. To have only the music hidden away on your hard drive would be to diminish the overall experience of enjoying Delirium Cordia. The prickle of gooseflesh I felt slipping off the black protective cardboard sleeve for the first time and seeing the chilling image on the cover (let it be a secret) greatly heightened my apprehension about what I was going to hear as I put the disk into the player. A sterile download bar is no replacement. This disk is the best thing to show up in my mailbox in months.If you’ve liked the Melvins, Mr. Bungle, Fantomas, or if you know none of those bands but like dark film scores and experimental music, stop reading and BUY THIS ALBUM NOW.