It’s important to evaluate this album for what it IS and not what you would have it be. It is NOT a collection of Queen tracks that were dropped into a movie and then thrown together in album format and called a “soundtrack.” It IS, in the truest sense, a film score, of and inspired by Flash Gordon. It works simbiotically with the film which dictates its structure. That makes it superior to something like the Highlander soundtrack, where Queen songs are sporadically tossed in for effect in a fractured fashion. Not to put down the Kind of Magic album (AKA Highlander soundrack), which is quite good in that standard rock, album-oriented way. The Flash Gordon album functions more as a single work – one 50-minute track, as it were. Anyone who goes in examining track by track like a standard-issue rock album will come away scratching thier head. This music fits the film like a glove and some of the synth work is very reminiscent of Vangelis’s “Blade Runner” music, which this predates by a couple years. I also enjoy the movie dialog which is sprinkled throughout. That has the potential to be very annoying if done improperly or excessively, but they chose their spots well here (“For God’s sake, strap yourselves down! “).