No User

You must log in to access your account.


Infinity thumbnail

Best Offer



Average Rating
(24 Reviews)

Journey Biography - Journey Discography - All Heavy Metal Bands


Japanese Version featuring a Limited Edition LP Style Slipcase for Initial Pressing Only.Nothing succeeds like excess–at least that’s the case with Queen’s breakthrough classic, A Night at the Opera. On one level, the title is a reference to the band’s operatic pretensions, best in evidence here on the classic ”Bohemian Rhapsody,” which was championed by headbangers a generation before being revived by the Wayne’s World set. Of course, A Night at the Opera was also the title of a Marx Brothers movie, and the reference isn’t lost on Queen, who seldom scaled the heights of pomprock without a knowing wink. The album is remembered for its meticulously produced bombast, but the truth is that there’s a wide variety of material here, from the gorgeous piano-based ”You’re My Best Friend” and the McCartneyesque ”39” to the music-hall-style ”Lazing on a Sunday Afternoon” and the pedal-to-the-metal rockers ”Death on Two Legs” and ”I’m in Love with My Car.” A Night at the Opera is viewed by most as the quintessential Queen album, and justifiably so. –Daniel Durchholz

Forum Topics See All →

There are no active forum topics for this Metal Album

Metal Album Reviews[RSS]

  • This underrated album by the name of “Infinity” was released in 1978 after the arrival of new singer Steve Perry that also features the production skills of Roy Thomas Baker (Queen among others). The rest of the band remained the same with Neal Schon on guitar, Ross Valory on bass, Greg Rolie on keyboards/vocals, and Aynsley Dunbar on drums. Up to this point since the band’s formation in 1974, they had focused on a Jazz Fusion/Art Rock blend for the three previous albums with Rolie doing all the vocals. Once Perry joined, the band started their shift towards a more AOR based sound.

    In “Infinity”, the emphasis is put on ballads since there are only three hard rock songs with “Wheel in The Sky” being the most memorable one and the radio hit. However guitarist Schon plays an excellent solo using the mixolydian mode on “La Do Da”. I’d say the other rocker “Can Do” is probably the low point of the album, but still a very good song.
    What makes this album really special are its ballads. There’s seven of them yet all sound different from one another! The opening composition “Lights” already displays the powerful melodic singing style of Perry but the piano accompaniment is flawless too and in the middle Schon adds one of his excellent melodic solos. I consider “Feeling That Way (Part I)/Anytime (Part II)” a medley since they run into one another and that’s the way you’ll hear them on radio. The two combined last for about seven minutes. In both songs you’ll hear the singing of keyboard player Rolie. In Part I, Perry adds some quasi Queen-like harmonies during the verses and joins for lead vocals on the chorus. Excellent chord progression on the verse, check this out: C G C F G / Bb F Ab Eb / Bbm Csus4 C. This is drummer Dunbar’s sole songwriting contribution to the album. In Part II Perry comes in to sing a memorable bridge (the section with the C#m F#m D and B chord sequence) right before another melodic solo from Schon! Track number five, “Patiently” is one of my favorites here! It starts with an hypnotic arpeggio that uses the chords Em M7, then Em, and finally G7. It gives the impression that it’s going to be a dark song… but it’s not really! Singer Perry is in brilliant form here. Once again Schon shines on the acoustic guitar while Rolie doubles on piano. It’s amazing how the two never get in each others way! Believe me, it’s not as easy as it sounds to double an arpeggiated guitar figure with the piano…I tried it once and I just didn’t sound as good as Rolie does! I would sound good for a few bars but all the sudden my notes where starting to sound superfluous! Rolie sure knows how to pull this off! Anyway, gotta love the part in the middle when Dunbar’s drums come in! Guess what follows…of course, another one of those excellent solos from Schon!
    “Something To Hide” is another well crafted ballad (main chords: F C Bb plus the sporadic A) that continues with their winning combination of catchy vocals with melodic guitar playing but “Winds Of March” could be considered the album’s epic since it is the longest song (not counting the medley) of the bunch clocking at five minutes. Awesome singing from Perry over this set of notes: Cm Ab Bb G, while the chorus goes like this: Eb Bb Ab Bb Ab Adim Gsus4 G. Another notable aspect is the fact that the arrangement leaves room for Rolie to play a Hammond organ solo right after an amazing harmonized guitar melody. Again, great arpeggios from Schon on the acoustic guitar.
    The closing song “Opened The Door” shouldn’t be overlooked though. It’s one of the best! The melodies utilized for all the vocal parts are perfect (in the key of C, the verses alternate between Fsus4 and C7, the chorus features Dm Am Abdim Am D G D F G, while the bridge uses C7 F and Fm) but the best moment is saved for last when Schon comes in to play one of the coolest solos in the mixolydian mode you’ll ever hear! Too bad it fades before long! It will leave you begging for more mixolydian! My question is: Why is Neal Schon so underreated? A very satisfactory ending to this LP to say the least.

    To cut a long story short, “Infinity” is a brilliant album. I’d say it is the best place to start your Journey collection because it accurately foreshadows all the band’s later work with Perry, yet at this point, the backing band (Schon/Rolie/Valory/Dunbar) was still the same one that recorded the three previous Art Rock/Jazz Fusion oriented albums: the self-titled one from 1975, the sophomore effort “Look Into The Future” (1976), and “Next” (1977). So, in a way or another, you get a glimpse of both eras since the vocals on those records were done by keyboard player Greg Rolie himself which you also get to hear on some of these tunes in a duet with Perry!
    Thanks for taking the time to read!

    Posted on January 5, 2010 - Permalink - Buy Now
  • I was 14 years old when this album was released. I went over to a friends house after school and through the door of his older brother’s room was the sound of this voice. The voice was, Steve Perry’s.
    I was already building a pretty diverse record collection. I told my friend to hang on for a second and literally stopped in my tracks and knocked on his brother’s door. He opened the door and said, “Hey, what’s up?” I asked who it was that he was listening to. He said, “Journey.” and showed me the cover. That friday night, I went to a local department store with my family and passed by the record section. There it was, “Infinity”. With the best looking artwork on the rack. I pulled out my lone $10 dollar bill and bought the record. It was on sale for $5.98!. This purchase began a journey of my own. They were my favorite band from 1978 to 1983’s “Frontiers”. I bought their records. Went to their concerts on every tour and watched them develop and implode. I didn’t know about terms like “corporate rock”, or the pending homogenization of rock radio that was beginning to happen. I just knew that i liked their sound. Roy Thomas Baker produced the album’s “Infinity” and “Evolution”. His production style was a major force to why and how they became so hugely successful. Infinity is an album for the ages and for all ages. Personally, The best Steve Perry Era album, and one which I am listening to right now at the age of 44, as I write this.
    It is one of the best rock album’s made in the 70’s. Waaaay beyond it’s time. It had class and soul and groove. The band played great and I feel that if you like good melodic, well sung rock music this is an absolutely stellar recording. If you are into the “New wave” or “punk” generation from the same era. You won’t dig this at all. It’s not angst. It’s beautifully played and arranged commercial rock music.
    A masterpiece.
    NOTE:I hadn’t heard Journey before this record (or so I thought). Actually, my older brother had “Look Into The Future” and “Next” in his collection. The pre-Steve Perry Journey is a fantastic lineup and great, great music. It’s this Journey without Steve Perry. But the great voices of Gregg Rolie (Santana’s co-founder and singer of Black Magic Woman) and Neal Schon (a Guitar Prodigy and fine singer in his own right) . The Pre-Steve Journey holds it’s own and deserves just as much attention from the record label and curious musician based fan.
    Remasters with bonus tracks, etc.

    Anyway, go and listen. Really listen.

    Posted on January 5, 2010 - Permalink - Buy Now
  • I can’t believe what I am seeing with the 1-2 star reviews. This album is one of the best they ever did. Every song is excellent. A must buy for anyone who is getting interested in Journey’s music.

    Posted on January 4, 2010 - Permalink - Buy Now
  • Buyer beware. These new Journey releases are reissues of their 1996 remastered releases. They are NOT remastered in 2006. Rhino should be ashamed of itself for this (it’s been 10 years – I would have gladly paid for a remastered version, but not for new packaging).

    Posted on January 4, 2010 - Permalink - Buy Now
  • Actually I’m sure there are people that would recommend one of the best of collections but to me this was always “the sound” of Journey with the high voice of Steve and Neil’s crunchy guitar and Greg’s keyboards, not to mention the rhythm section keeping the whole thing anchored.

    There are some great songs (lights, Wheel in the Sky, Feeling That way/Any Time) and whenever I listen to this album I’m always transported by to a better time (or forward to my current relationships :D )

    Anyway – you might be like a “best of” album better than this but Invinity is probably the best journey album from composition, songs, performance, etc. :D

    Posted on January 4, 2010 - Permalink - Buy Now