“Killing With A Smile” is Parkway Drive’s full length debut on Epitaph records. This is a very great cd. From the first few seconds off of the album’s opening song “Gimme A D”, you know you’re in for a wild ride. Breakdown after crushing breakdown, this cd delivers. Parkway Drive not only possess the awesome bone shattering breakdowns that will get stuck in your head, they also feature a versatile vocalist who doesn’t just scream in the same monotone voice for the entire album, as well as clever lyrics that don’t just talk about love and girls. Bottom line: If you’re into heavy music, get this cd.
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Australia’s Parkway Drive follow in the footsteps of Unearth, Bleeding Through, and Evergreen Terrace, and they’ve amassed a huge amount of respect in a very short time in both the metal and hardcore communities. Here are eleven tracks of pure rage, a massive sound that encompasses death riffs, punishing breakdowns, thick rhythms, mayhem-inducing beats, and a technical precision that borders on frightening. ”Killing With A Smile” will appeal to all extreme music fans.
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One of the elite hardcore albums around at the moment. Produced by Adam Dutkiewicz from Killswitch Engage has helped to put together one of the most complete hardcore albums I own. Some of the highlights for me are songs including ‘Pandora’, and gimmie a.d. The album reaches its pinnacle with an angry verbal assault over lost a love, put together with some creative heavy guitar work in ‘Romance is Dead’. A must own for all Fans of Metal and Hardcore.
I have heard many metalcore/Hardcore bands around, and i would have to say Parkway Drive is my favourite by far. The sound is unique and every song has something different and catchy about it. Although every song on the Cd is sensationable, i would have to rate there best song is “A Cold Day In Hell”
For those who have recently purchased this Cd and would like to know more about Parkways music, They also have 3 Other ep’s. They have a EP entitled “Don’t Close Your Eyes” This EP has 8 tracks, including the original “Smoke ‘Em If Ya Got ‘Em”
Parkway also have 2 older EP’s, one entitled “Parkway Drive & I Killed The Prom Queen Split”, only having 2 songs on it, aswell as another split EP with “Think Straight” aswell as “Shoot To Kill”, this EP is entitled “What We’ve Built” and includes 3 songs. These 2 EP’s are rare and more difficult to find than “Don’t Close Your Eyes”
Although Parkway have an enormous amount of tallent throughout all there music, “Killing With A Smile” would be their standout Cd up to date.
My biggest advice to you is to purchase this cd and give it a try, you will definately not be dissapointed.
First off, this band is NOT American. They are from Austrailia and are very good friends of I Killed The Prom Queen. I first heard the song Mutiny on their Myspace, and was blown away. After I got the cd and found out Adam from Killswitch produced their cd, I knew the rest of it would be good. If you love great melodic metal-core, and you’re tired of a lot of “trendy” bands, and you want something different, get this. Every song is amazing and it’s one of the few cds I never skip a track on.
Australia has kangaroos and America has metalcore bands. Both are in great abundance and it seems several of them are even born with each passing day. Thus, metalcore bands from a foreign country (where the genre isn’t as popular) might be huge in their homeland, but they’ve still got to conquer the United States (where there’s plenty of competition for heavy music’s spotlight). Australia’s Parkway Drive are one example of a band that’s currently facing this challenge – they just can’t seem to garner as much respect overseas as they did down under.
Truth be told, though, Parkway Drive actually deserve your attention. Although they’re not exactly redefining the current music scene, they’re one of only a few modern metal bands that isn’t an obvious Killswitch Engage or At The Gates rip-off. Also, despite what you may have heard, they actually do not sound very closely related to Bleeding Through and/or Unearth. Instead, the music heard on their debut album (“Killing With A Smile”) is far from textbook in this day and age, and one could even argue that, because it’s so heavy (sometimes even brutal), it doesn’t belong anywhere near the metalcore tag. If anything, this sound, which is saturated with wall-shaking riffs, busy blast beats, flattening rhythms, and bone-crunching breakdowns, surprisingly technical musicianship and bellowed vocals, leans closer to being death metal (or at least deathcore).
Opener “Gimme AD” immediately gets the album into the thick of things. It’s a lethal and immediately memorable mix of nifty hooks, smoking, dogfight riffs, high yells, quick, skilled drum patterns (including thunderous double kicks and a persistent, thumping snare drum), bullying rhythms, and a Lamb of God-meets-Deicide vocal style. Even a little guitar solo is sneaked in at the end.
The smoke is then allowed to clear a little for the next three tracks. “Anasis (Xenophontis),” which is probably the record’s most Killswitch Engage-reminiscent moment (frontman Winston McCall’s ultra-deep, commanding bellows are the only differentiating factor.) Following that, “Pandora” is highlighted by a hooky, staccato beat, fast double bass work, and extra crunchy riffs. Then comes “Romance Is Dead,” an obvious highpoint of the album which is fueled by awesome, rhythmic, machine gun drumming, forceful, teeth-rattling power chords, and a surprisingly soft, almost dreamy outro.
“Guns For Show, Knives For A Pro” is highlighted by what is probably the album’s biggest surprise: it starts out with pounding, few-and-far-between riffs then works up to a scorching speed before the song suddenly stops dead in its tracks for a few seconds of shocking silence.
Drummer Ben Gordon gets his time in the spotlight on “Blackout” and “Picture Perfect, Pathetic,” when he exploits a great give and take between his bouncy, walloping drum patterns and the hefty, cascading guitars.
Finally, “It’s Hard To Speak Without A Tongue” is highlighted by an professional, fairly long and winding guitar solo that’s tucked away in the background; “Mutiny” is another blistering thrash-fest; and “Smoke `Em If Ya Got `Em” is another bruiser, and is fueled by a rapid, impeccable death metal blast.
If there’s one glaring flaw that you should be warned of, it’s that McCall’s lyrics are, at best, dodgy. Take “Romance Is Dead”: the listener will be hard pressed not to crack a smile when the frontman bellows “Cry me a f – cking river, b – tch!” to an ex-girlfriend. He sometimes discusses respectable subject matter (like when he scorns heavy metal’s famous obsession with depression and suicide), but most of the time the listener is thankful that the vocals are unintelligible (so you can’t usually make out the words).
All things considered, “Killing With A Smile” may not be a perfect album (very few releases are nowadays), but it’s doubtlessly a good, wholly solid one with no throwaway tracks. It isn’t peerless stuff, but it is definitely in the upper tear of metalcore. Thus, if you don’t have a problem with listening with a completely open mind, and if you can get it out of your head that the world probably doesn’t need another metalcore band, you will really enjoy this C.D. and should pick it up.