Reach For The Sky is a good Ratt album. If you like this band, or are into other similar bands like Dokken or Motley Crue, Poison or Quiet Riot, this should be right up your alley. While I don’t think this is Ratt’s best album, it does contain some of Warren DeMartini’s best guitar solos. Warren flat-out RIPS on a lot of these guitar lines, very cool stuff. If you own the first three Ratts (EP, OOTC, and IOYP) this would be a good purchase, especially if you can get it used for just a few bucks. Standout tracks: City To City, I Want A Woman, Way Cool Jr, Chain Reaction, No Surprise, What I’m After.
Japanese only SHM pressing. Features 24-bit mastering and packaged in a paper sleeve. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies’ research into LCD display manufacturing SHM-CDs feature improved transparency on the data side of the disc allowing for more accurate reading of CD data by the CD player laser head. SHM-CD format CDs are fully compatible with standard CD players.
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This is Ratt’s fifth album. This isn’t like the straight forward raw heavy metal of there Out Of The Cellar days but still a good pop metal album. Overall the album isn’t very consistent with some great songs, some solid songs and some filler songs.
1.City to City- 10/10 A great opener. The riff is great and the lyrics are cool. Pearcy’s vocals are enjoyable and the guitar solo is excellent. The chorus is very catchy too. This should have been a big hit. An underrated classic.
2.I Want a Woman- 10/10 Another great catchy song. This was a minor hit on MTV. The riff is catchy and the chorus is good too. Warren DeMartini’s solo is great and the harmony line is excellent too.
3.Way Cool Jr.- 8/10 The albums only real hit song. Not one of the better songs but still a good song. This song is slow and bluesy. This actually reminds me a bit of classic Def Leppard. The guitar solo is excellent too.
4.Don’t Bite the Hand That Feeds- 10/10 A great song with a good heavy riff. The chorus and vocals are good too. Another great guitar solo too.
5.I Want to Love You Tonight- 10/10 An excellent power ballad. This should have been a hit. Stephen Pearcy’s vocals sound very good. The soft part is excellent and the chorus is awesome. The guitar solo is excellent and has a ton of emotion and a great harmony line.
6.Chain Reaction- 9/10 A great fast song that reminds me of Van Halen. The riff is excellent and the chorus is catchy too. The solo is one of the best on the album too.
7.No Surprise- 7/10 A pretty good song. I don’t really like the chorus but it’s not a bad song. More great lead guitar though.
8.Bottom Line- 8/10 A good catchy song. the riff is good and the chorus is catchy as hell. The solos are excellent too. A good song but not a classic.
9.What’s It Gonna Be- 10/10 A good catchy pop metal song. I like the riff and chorus a lot on this song. Another excellent solo too
10.What I’m After- 7/10 This is a pretty good song although it is really poppy. More great lead guitar too.
Overall the album isn’t very consistent with some great songs, some solid songs and some filler songs. Maybe the bands most commercial album. This was not there most succesful album but it did have some good anthems and a suprisingly good power ballad. Warren DeMartini solo’s are great as always and this is a solid hair metal album although it is probably the bands worst album with the classic line up. I think if they had spent maybe another few months on this album it would have been a classic because there is plenty of great songs on this album
Stephen Pearcy- Vocals
Warren DeMartini- Lead Guitar, Backround Vocals
Robbin Crosby- Guitar, Backround Vocals
Juan Croucier- Bass, Backround Vocals
Bobby Blotzer, Drums, Percussion, Harmonica, Washboard
Ratt may not have been a top-40 metal band but they never ceased to put out good music (except for some Detonator tracks)…Reach For The Sky is just a good, solid album with lots of hooks, great lyrics, and unique among the Ratt albums. The first few albums were very similar in style…though I love them lots still…and this album is different.”Don’t let your dreams be clouded, Aim your sights high, Search your true feelings, And Reach For The Sky.” – Ratt, Reach for the Sky
Ratt’s fifth release (fourth on major label), “Reach For the Sky,” continues their swaggering style, their sleazy LA-style lyrics, and the Ratt sound forward through the end (*sniff*) of the 1980’s. While some songs take a bit of a musical twist on typical Ratt stuff, this album is still distinctly, undeniably RATT in all of their glory.Actually, I like the amount of sleaze in this release more than I do in their ‘85 album “Invasion of Your Privacy,” and this album is neck-to-neck in competition with their 1986 “Dancing Undercover” for sexual inuendoes and lyrical sleaze. DeMartini’s guitar also continues to blister, ingiting your stereo with “I Want a Woman,” “Don’t Bite the Hand That Feeds,” and “City To City.” “Chain Reaction” is fast, driving, and heavy, and “Bottom Line” is probably one of the best tracks on this album.While I wouldn’t recommend this CD to a beginner looking to experience Ratt, this IS a solid release, and established Ratt fans won’t have a problem wearing out their stereos with this album.For the Ratt experience, I recommend in this order: 1) “Out of the Cellar,” 2) “Invasion of Your Privacy,” 3) “Dancing Undercover”, then 4) “Reach For the Sky.” Their fifth major release, “Detonator,” has its good moments, but doesn’t stack up to their 80’s releases.
By C.S.Hair metal 1980’s style is often criticized but filled a carloads of individuals who have little or no knowledge of the genre. One of the bright spots on a seemingly mythical dark tale that is often told about 80’s rock are the Los Angeles, California outfit known as Ratt. With so much competition in the area – Motley Crue Dokken,and the already established Van Halen to choose from and to rock out to,it would seem impossible to gain a foothold of originality in this over- crowded marketplace.With the cannonfire like drum beat and sound of Bobby Blotzer, the raspy and rough vocals of Stephen Pearcy, the dual guitar attack of Robbin Crosby (rhythm) and Warren De Martini (lead) combo and the penetratingly solid bass playing of Juan Crouchier (a former Dokken memeber),Ratt created a balanced metal sound . The bass like tonation of Blotzer and Crouchier work in poisionous tandem with Crosby and De Marini on “Reach” and they strike a smooth balance – no one group of musicians overwhelm the other in the playing and recording process, making ‘Reach For he Sky” a gem based on production alone. Blotzer begins the assault with a funk -filled double bass-drum beat that fuels “City To City”, while De Martini sprinkles the ingredients of wailing guitar riff on top of Pearchy’s opening screams and Crosby’s vicious co – lead on “I Want A Woman”. The next track “Way Cool Jr” is record company driven, elementary school pop all the way as a early resting point after the fast start created by the opening tracks.. The band step back into the club after a couple of drinks and set the tempo again with Blotzer opening up the floodgates for the reamaining musicians to jump over and in with his potent snare drum poops, slick cymbal/ hi- hat work, and stop on a dime breaks in pace on “Don’t Bite The Hand That Feeds “”Playing to the female auduence that fuels the industry, the boys hit the ballad button on “I Want To Love You Tonite”.In stark comparison to the blatant commercialism of “Way Cool”, the polished harmonies, smooth beat and polished craftiness of De Martini’s solo over a tone setting rhyhtm riff by Crosby make for a more honest representation of how the band can work it’s magic in slow- down mode. “Chain Reaction is “Reach For The Sky’s version of “Communication Breakdown” with it’s Motley Crue like break neck tempo capped by Pearcy’s suggestive line- “the only thing that sets me off will bring you to your knees”If unconvinced or partially sold on the merits of Ratt the funky ‘No Surprise” with it’s backing vocal intro. heavy De Martini riff and avalanche of an intrusion by Blotzer with his opening beats make a strong case for crowd favorite in tandem with the stop and go,hard edged flow of “Bottom Line” where Blotzer fills in space beautifully around the exploits of his talented bandmates and wakes up the neighbors with his cymbal crashes and snap of the wrist drum rolls on ” What’s It Gonna Be” hi- lighted by the army of guitars gathered up by Crosby and De Martini that make for an rock- anthem flavored closing solo. Though Pearcy and the gang may always be regarded as little or nothing songwriters, the pieces fall in place on “Reach For The Sky” in smoother symmetry than the spotty hit and miss nature of the previous LP “Dancing UnderCover”. This is Ratt N’ Roll arguably at it’s best, making ‘Reach For The Sky” one of their top two or three albums and a worthy five star ranking.C.S. 2-9- 04