To label a compilation as being the definitive “Best of” for a particular group is always a little bit risky. Each fan will have their favourite tracks based on their own personal tastes and experience. And when the band in question is Faith No More, the problem is taken to a whole other level again. Fans of the band will know that FNM were a sonically diverse band that danced around the boundaries of genre, good taste and listenability throughout all their seven full-length albums. Even the casual listener who only knows the band from big hits like Epic and Easy will be surprised by the musical diversity demonstrated in this compilation alone.But why do we need another FNM compilation? Who Cares A Lot: The Greatest Hits was released not that long after the bands much-lamented demise. Who Cares A Lot was really a singles compilation, which didn’t really make an effort to show case the highlights of the Chuck Mosley albums, We Care A Lot and Introduce Yourself or the greatest diversity of the band beyond the scope of the singles they released.At their best FNM was pure musical alchemy pulling together the diverse tastes of the band members. Just like the image of the man being drawn and quartered in the Midlife Crisis video, each band member was always pulling the band in diverse musical directions, but always under pinning it all is the driving rhythms of Bill Gould, Roddy Bottum and Mike “Puffy” Bordin. Listen to the difference from As the Worm Turn to Anne’s Song to Midlife Crisis to Evidence to see the fusion coming together with golden results.If Devo can call themselves “Pioneers Who Got Scalped”, then Faith No More must also be able to claim such a mantle. Patton’s vocal delivery and the sonic blend of grinding guitars and pounding synths would definitely pave the way for the mainstream acceptance of NuMetal and Industrial Music in the late 90’s.As seems to be der rigeur for “Best Ofs” these days “This Is It….” promises unreleased tracks that you can’t find anywhere else. In this case we have a live, Mike Patton, version of As the Worm Turns, The Cowboy Song from Live at Brixton and The Perfect Crime from the sound track to Bill & Teds Bogus Journey. All three of these tracks are fantastic. As the Worm Turns is a great track from the band’s debut album. The Cowboy Song & The Perfect Crime are two lost gems from the Real Thing-era, which have gone unnoticed for far too long.While not being a definitive guide to FNM it is still a far more comprehensive epitaph to a brilliant career of a seminal 90s band than “Who Cares A Lot”. Ideal for both long time fans and casual listeners, I can’t recommend this album and the rest of the bands back catalogue more highly.