Guitarist Jim Root
and STONE SOUR
has now added a Jazzmaster
to his signature models with Fender
. See what he had to say about this latest collaboration in the video clip below.
Stark, dark and menacing, the Jim Root Jazzmaster
guitar has got to be the most distinctively minimalist version of the instrument ever devised in the model’s entire half-century history. At the behest of the towering SLIPKNOT
guitarist, gone are the dual tone circuits and barrage of controls. Gone are the fret position markers and enormous chrome bridge. Gone, in fact, is pretty much everything typical of a Jazzmaster
guitar, replaced only by fearsome EMG 60 (neck) and 81 (bridge) humbucking pickups with brushed nickel covers, a single three-way switch, a single volume knob and a hard-tail Stratocaster bridge.
The Jim Root Jazzmaster
also features a mahogany body with a comfortable contoured neck heel, satin-finish maple neck with "modern C" profile and large headstock, compound-radius ebony fingerboard (12"-16") with 22 jumbo frets and no position markers, staggered deluxe locking tuners, black hardware and pickup bezels, and an austere Flat Black satin-nitro lacquer finish. Includes black tweed case with red plush interior, strap and strap locks, cable and polishing cloth.
chose to sit out STONE SOUR
's recent North American tour so that he could concentrate on writing music for the next SLIPKNOT
album. The Pulse Of Radio
spoke with Root
and asked him to explain his decision in a little more depth. "You know, unfortunately I'm only one person," he said. "I can't really be in two places at one time and the amount of focus that I need to put into SLIPKNOT
makes it really difficult for me to be on tour with STONE SOUR
. It's crushing and it's heartbreaking and I really don't like the idea of not being out there, but I don't really see any other way to really do it without — I mean, this is like the best way that we could come up with for a compromise."
was replaced for the month-long tour, which began on January 14 in Lake Buena Vista, Florida, by Christian Martucci
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