Friday, June 19, 2009
Rush’s return to progressive hard rock continued with Roll the Bones, though there’s still a bit of synth work (notably on the title track). The music flows like a well-oiled machine, and with Rush, that’s an asset, particularly when the material is this good. The songs are mostly up-tempo, with the intellectually oriented [...]
Continue reading...Sunday, June 14, 2009
Thursday, June 11, 2009
Japanese only SHM paper sleeve pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies’ research into LCD display manufacturing* SHM-CDs feature improved transparency on the data side [...]
Continue reading...Tuesday, June 9, 2009
essential recording Only Rush could have pulled this off, and only in the ’70s. 2112–the title suite of the band’s 1976 breakthrough album–is a comically pretentious, futuristic rock opera written by a nerdy drummer and sung by a whiny-voiced geek. It also happens to be a great [...]
Continue reading...Monday, June 8, 2009
Japanese only paper sleeve SHM pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies’ research into LCD display manufacturing SHM-CDs feature improved transparency on the data side [...]
Continue reading...Friday, June 5, 2009
essential recording With Moving Pictures, Rush’s complex songwriting and musical virtuosity reached new heights. It’s that rarest of creatures, a highly listenable progressive-rock album; even the all-instrumental “YYZ” is of interest to listeners besides musicians. The highlight of the album is “Limelight”; like many progressive-rock bands, Rush [...]
Continue reading...Tuesday, June 2, 2009
Smart rockers Rush were just on the brink of being embraced by the album rock mainstream when they recorded Hemispheres. Already wildly popular with a certain corner of the intellectual crowd, thanks in part to drummer Neil Peart’s Ayn Rand obsession, this CD marked a turning point for the Canadian trio. Hemispheres explores [...]
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Tuesday, June 23, 2009
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